Winter 2016 Special Issue: Women of War
Submission period: August 15th - November 1st
The Sockdolager is thrilled to announce that our eighth issue will be guest edited by author Rawles Marie Lumumba. She offers these thoughts on her chosen theme:
“Women of War” are so often those who have suffered, nameless and forgotten, in the fallout of others’ conflict. But they can also be women who have carved out their own ways to survive and to thrive. Women who have fought their own wars in fields both traditional and extraordinary. Women who are warriors in any or all permutations and conceptions of the word. What is your character’s preferred field of battle and how has she triumphed, persevered, succumbed, or all of the above?
Rawles Marie Lumumba is a Baltimore native, a writer of speculative fiction, and a voracious consumer of narrative in all forms. Her current project is a fantasy novel for teens, and her previous work includes Duskfall, a novella; Media Nocte, which appeared in our own Puzzle Box anthology; and comics scripting for "Avatar: The Last Airbender," since featured in The Lost Adventures. She can be found on Twitter as @rawlesmarie.
In addition to being an excellent storyteller, Rawles has impeccable taste, informed by a deep familiarity with a wide array of genres and mediums. She is a champion of fiction as a tool of social justice and a conduit for joy in equal measures, and we could not be more pleased to have her on the masthead for this issue.
Submissions for this special issue will open on August 15th and close on November 1st.
(Older submissions which are still under consideration as of September 1st will also be considered.)
The debut of our sixth quarterly issue—and the seven brand-new stories therein—is less than a month away. In the meantime, we're thrilled to announce the fantastic lineup of contributing authors.
Jennifer R. Donohue
Shaenon K. Garrity
Alter S. Reiss
As always, they'll be available to read for free in their entirety online. But if you'd like to have early access to the issue -- and to help us pay our authors -- you can subscribe to The Sockdolager on Gumroad or Patreon.
Setting a record for delay between recording (February) and editing (May) -- at last! A new podcast! In which we discuss the final issue of 2015, which included eight fantastic brand-new stories about which we had a great deal to say. Please do laugh at us as we talk about nominating for awards season, a season which concluded several months past.
A bit of news: this summer we will both be at MidAmeriCon II! We definitely want to meet any contributing authors of ours who may be attending, and honestly, we'd love to meet folks who have submitted as well!
We briefly mention the Submissions Grinder in this episode, an excellent resource for short genre fiction writers looking for markets to submit their work to.
And at the end up the episode, we talk a little about our evolving sense of what kinds of stories we're looking for as we read through submissions, and what we're trying to accomplish as a magazine in the short fiction community.
In just a few short weeks, we'll debut our first issue of the year, with six new stories and two excellent reprints which we're quite excited to share!
In the meantime, here's a sneak peak at our lineup:
The Roving Bookstore, by Andrea Corbin
Tofino, by Andrew Neil Gray
Never, by Shane Halbach
Down the Twisting Alleyways, by Kelly Jennings
The Family Ghost, by Rati Mehrotra
As You Were, Aggie, by Rhiannon Rasmussen
Pure and Without Savour, by Deborah Walker
Phasing In, Phasing Out, by Marlee Jane Ward
The John W. Campbell Award for Best New Writer is one of the ways that the SFF prose community recognizes emerging talents. And this year, in order to make it easier for those who nominate for the award to read as widely as possible, SL Huang and Kurt Hunt have put together a fantastic anthology of eligible authors: Up and Coming. The collection includes 230 stories from 120 writers, including several folks whose work has appeared here at The Sockdolager: Charlotte Ashley, Philip Brian Hall, Jason Kimble, Rhiannon Rasmussen, and co-editor Alison Wilgus.
The anthology is free to download, but only until March 31st! So hurry over to their website if you'd like to check it out for yourself!
There's a lot of yelling in this episode, I'll admit. Most of it the good kind? Some of it the "I wanted to throw this across the room after setting it on fire" kind. All of it enthusiastic, in any case!
Books we discussed:
Seveneves, by Neal Stephenson
Aurora, by Kim Stanley Robinson
Ancillary Mercy, by Anne Leckie
The Traitor Baru Cormorant, by Seth Dickinson
Updraft, by Fran Wilde
Crooked, by Austin Grossman
Carry On, by Rainbow Rowell
In which we discuss the many things which delighted us about our third issue, and both of us take turns realizing that a major story detail flew right over our heads.
We recorded this back before Christmas but are only now catching up for various Reasons, most of which have to do with streamlining how we edit our episodes. In addition to talking about all of our Fall 2015 stories we also discussed some of the books we enjoyed last year, but ultimately decided to split that off into another episode which we'll be posting later this week.
Mike Reeves-McMillan's Gryphon Clerks novels
The true story of cannibalism on the Mignonette, and the trial which followed
Jason Kimble's other weird west story, Tall, can be read in this anthology
The Sockdolager's 2015 roundup post
It's January! That time of year when we all scramble to catch up on our reading before Awards Season begins in earnest!
What We've Been Up To
In 2015, The Sockdolager published 31 stories by 27 authors from around the world, some of them seasoned professionals and others making their first sale. All of them charmed and captivated us with their prose, and we're so glad to have had the opportunity to share fantastic work like this with our readers.
The new stories we featured this year were:
Charge! Love Heart!, by Rhiannon Rasmussen
Panoptes, by Laurence Brothers
Common Knowledge, by A. E. Decker
The Man on the Church Street Omnibus, by Philip Brian Hall
Wearing the Hat, by Mike Reeves-McMillan
Palimpsest, by Frances Rowat
Hadley Full of Hate, by Michael Hernshaw
Zofta, by Jasmine Fahmy
Sigrid Under the Mountain, by Charlotte Ashley
The Road to Babel, by Yaroslav Barsukov
A Fistful of Forever, by Igor Teper
What Happened to Lord Elomar during the Revolution, by Kelly Jennings
Mother Made a Lovely Feast!, by Laura DeHaan
Lock and Key, by Mike Reeves-McMillan
Voice and Silence, by Julia August
The Temple of Thirteen Pleasures, by Laurence Raphael Brothers
Storm on Solar Seas, by T.L. Huchu
Hide Behind, by Jason Kimble
The Will of Parliament, by Charlotte Ashley
Excerpt Regarding the Departed from the Diagnostic and Necromantic Manual, 5th Edition, by Stewart C Baker
Au Ciel Monte, by Aimee Ogden
Stealing the Sun, by Juan Paulo Rafols
Tamers of the Green, by David Steffen
Things my Mother Told Me, by Nelson Stanley
Casualty, by Whitney Bishop
Ars Longa, Amor Brevis, by David Twiddy
(For those of you here on Awards Reading business: all of our fiction is less than 7,500 words long, and thus eligible in the "short story" category)
Other Excellent Things To Read
We consider ourselves quite lucky to have worked with so many talented authors in our first year, and are delighted to say that many of them have had other work published this year!
The Falling of the Moon, World Weaver Press (novel)
Auckland Allies (novel)
There's a Tattoo, but the Robes Hide It, In Memory: A Tribute to Sir Terry Pratchett
Axe Stone: Svart Detective, Alternate Hilarities: Hysterical Realms
Something Rich and Strange, Digital Fantasy Fiction
(Also podcasted by The Overcast)
The Well-Presented Manuscript, C-Side Media (non-fiction)
Mea Maxima Culpa, Daily Science Fiction
Eve of the White Moon, SQ Mag
Good for Something, Nature
Sister, Dear Sister, Alternate Hilarities: Hysterical Realms
The Terrible, Daily Science Fiction
Bones at the Door, Fireside
In just a couple of weeks we'll be debuting our new issue, with seven brand new stories and one excellent reprint that was revised just for you, our dear readers. The fantastic authors who contributed to this issue are:
Laurence Raphael Brothers
See you again on September 15th!
Our new issue will be out in a couple of weeks, but in the meantime we've recorded a Very Special Episode of the podcast in which we talk about our favorite genre television show, Steven Universe. We discuss why we're excited about SU as a work of speculative fiction, what we feel can be learned from it from the perspective of short fiction writing, and what we're hoping to see going forward. (Full disclosure: there is some yelling about our feelings.)
We ramp up the "spoiler" levels of the podcast as we go, beginning with the basic premise and moving on from there, so if you haven't seen the show at all -- or have started but are trying to decide if you want to watch more -- you can go ahead and listen! We make it extremely clear when we're going to move on to the next spoiler tier.
Some links from the episode (basically all of which contain LARGE SPOILERS!)
We'll be back in September with a normal episode about our actual fiction magazine! (And Steven Universe will ALSO be back in the next few weeks, so now's a great time to catch up! You can watch the show on Hulu, iTunes and Amazon.)
Thanks to the generous reader support of our Patreon, we'll be recording at least one podcast for every issue of the magazine!
In this first episode, we discuss all of the stories in the first two issues, recount our weekend at Readercon 26, and describe a couple of books we're currently feeling enthused about.
A few related links of interest:
We couldn't find videos for the panels we talked about, but if you're interested in learning more about Ken Liu's thoughts on translation, he's written some great essays on the subject, including:
The "Heroic Translators" Who Reinvented Classic Science Fiction In China
Gathered in Translation
Apologies for the distortion that pops up in a couple of places. We've edited out as much as we could, and now that we know it's a possibility we'll be on the lookout for it the next time we record.
This week we’re putting the final touches on our Summer issue, which will debut on June 23rd. And in the meantime, we’d like to share the fantastic list of authors whose stories we’ll be featuring!
& John Wiswell
We could not be more delighted with this issue, and we hope you all enjoy it as much as we have.
More (very!) soon,
Alison & Paul
The debut of our magazine is still a few weeks off, but in the meantime we're excited to share the list of excellent authors who contributed stories to The Sockdolager's first quarterly issue! They are, in alphabetical order:
Stewart C Baker
A. E. Decker
Philip Brian Hall
We're delighted with every one of these folks and their fiction. Our first issue will go up on Tuesday, March 3rd!
On November 11, 2013, an anonymous commenter on an obscure fandom blog wrote:
I don’t think it’s entitlement to want to know that someone is reading and enjoying your [work]. Yes, no one “owes” it to the author. No seed is “owed” earth and water and sunshine, either, but getting those things can mean the difference between flourishing and withering. That’s just the way it works.
This has stuck with me.
There are a lot of good reasons not to get into the short genre fiction racket—there's less than no money in it, sometimes it feels like there are more writers of it than there are readers, "everybody" knows that "nobody" reads short fiction—etc., etc., on and on.
But I believe the capital-C Conversation of science fiction, fantasy, and their myriad and difficult-to-classify progeny is an important one. I want to both be a part of it, and to help other people be a part of it.
I love fiction. I've arranged the whole of my career to spend it engaging with fiction: editing it, translating it, writing it. Fiction—genre fiction, nerd fiction in particular—has shaped the course of my life. And every single work I've ever read or watched or listened to had to have someone to believe in it—a beta reader, an editor, a friend or spouse or workshop classmate—for it to reach both its potential and its audience.
I want to be that person. I want to be the first person to believe in a story that's going to change someone's life (or even just improve their day a little). I want to do it for readers and writers alike. For readers, because I'm just arrogant enough to think my taste is pretty good, and for writers, because I want to be the one to water the seed that nobody else is watering. I think there remain languishing unpublished great, important, and fun stories about nonsense like spaceships and wizards and dance clubs on Mars, and I want to be part of bringing them into the world.
I also happen to believe in the future of fiction and books, and I think the best version of that future is one with a vast plurality of independent voices. It's a future I want to be part of; a future I'd like, in some small way, to help shape. As a tiny, independant publication, we can change course with the impunity of an organization with nothing to lose. We can publish on any platform that helps us go where the readers are. Between my own priorities and those of my esteemed co-editor, Alison Wilgus, I'm excited to see what we can come up with, given the freedom to establish an editorial voice unconstrained by exigencies beyond our own tastes and ideals.
We can do it, so we will do it.
This blog has stood empty for too long! Introductory Post Time has arrived, and lucky me! I’m going first.
Paul wanted us both to talk a little bit about ourselves, and about why we've decided to pour so much of our time into running a quarterly genre magazine. Short version: my name is Alison! I love stories. I want to help connect people with fiction that they'll care about.
A useful (important?) thing to know about me is that while I've always been a writer, up until recently my professional world was largely confined to comics. And not mainstream superhero comics either. My cohort is mostly graphic novelists and webcomics folks, the sort who started their careers with handmade minicomics and worked their way up to graphic memoir or sprawling online narratives.
In the world of creator-owned comics, the stigma of self-publishing ranges from slight to nonexistent. Big publishers are great for distribution, for marketing, for getting your work into the hands of more readers than might otherwise discover you. But you don't need to sign with Macmillan or Scholastic to be seen as legitimate. In some cases, really, the opposite is true. Small presses and self publishing are where you find some of the major works of comics "literature." There's a thriving "Comic Arts Fest" scene with dozens of shows focusing on books that people make and distribute themselves. If you've ever been to one of them—SPX, TCAF, MoCCA—then you already know what I mean.
I knew going in that prose was different. There are plenty of self-publishing success stories, particularly in genre, and lots of small token and semi-pro markets with dedicated followings and respected editorial staffs. But over in these parts, it still feels like there's a stark division between "professional" and "amateur”; a creeping feeling that to many folks in the community, you're either a "legitimate" publisher of note or you're little more than a vanity press.
I post comics to my personal website or print them as hand-stapled minis without even thinking about it. I simultaneously write comics for major publishers and make small stories that I staple on my kitchen table, and I have never once worried that my editor or my friends or my readers would think less of me for it. I have no reason to think that self-publishing a comic would count as a strike against it.
All of which is a roundabout way of saying: a big part of why I agreed to come on as co-editor of The Sockdolager is because I fundamentally don't think that a micro press is any less legitimate than a major one, whatever "legitimate" even means. I think that Paul and I are pretty okay folks with pretty good taste in fiction, and that between the two of us we can put together a collection of awesome stories that people like us would want to read. I believe very strongly in promoting work that I love, and in paying creators as much as I can afford to for the privilege. I believe that a great many "reprint" stories haven't had as large of an audience as they deserve, and I want to help do something to change that. And perhaps most importantly, I believe that small presses have the freedom to champion marginalized voices in ways that are still difficult for larger publishers.
Lots of excellent people have worked for many years to build a vibrant community of upstart prose publications. I very much look forward to joining their ranks.